As an academic my work is in the area of political theory and my interest in ‘luxury’ came from the awareness that it involved questions of history (why was it seen as a threat to the Roman republic) and socio-political issues around inequality and consumerism. I was awarded a grant to start the investigation and my university (Glasgow) published it along with other awards and it got picked up by the media with the consequence I had my ‘ten minutes of fame’ as I was interviewed by newspapers and on the radio. My book is the eventual fruit of that study which has, in the words of more than one author, been judged ‘seminal’.
I wrote
The Idea of Luxury: A Conceptual and Historical Investigation
As its editors explain this collection of ten essays in its diverse ways aims to criticise the contemporary luxury industry. What I found valuable are the ways it challenges the assumptions of much of the literature which simply takes as given the roles luxury places in production, distribution, and especially consumption without challenging them for their wider impact. For anyone who is sceptical of those roles for encouraging waste, entrenching inequality, glorifying private indulgence and so on then this is a ‘must read’. The editors in their contribution directly engage with my argument.
Assembling the foremost scholars in this innovative, distinctive and expanding subject, internationally well-known critical theorists John Armitage and Joanne Roberts present a ground-breaking aesthetic, design-led and media-related examination of the relations between historical and, crucially, contemporary ideas of luxury. Critical Luxury Studies offers a technoculturally inspired survey of the mediated arts and design, as well as a means of comprehending the socio-economic order with novel philosophical tools and critical methods of interrogation that are re-defining the concept of luxury in the 21st century.
What is especially good about this book and what I found stimulating was the diversity of both its contents and the differing backgrounds of the authors. It succeeds in bringing together the perspectives of both academics and practitioners which together provide a book that is not only readable, informative, and up-to-date but which also puts forward a point of view. Its very breadth and occasionally provocative arguments will excite anyone with an interest in luxury whether producer, consumer, or critic. References to my book recur in acknowledgment of its benchmark status.
The idea of luxury has secured a place in contemporary western culture, and the term is now part of common parlance in both established and emerging economies. This book explores the many issues and debates surrounding the idea of luxury.
This new research addresses contentious issues surrounding perceptions of luxury, its relationship to contemporary branding as created by the marketers, and the impact this has on the consumer and their purchasing habits.
Crafting Luxury considers work within the field of luxury and luxury brands, encompassing established companies with a long heritage: from conglomerates and small independents to 'new' luxury and…
This is a deservedly best-selling book that decries what the author judges to be the decline of true luxury products into mass-produced items. The luxury industry she believes has sacrificed integrity and hoodwinked consumers. The book’s strength is its investigative reportage of how (so-called) luxury goods are actually made but, as befits the writer’s non-academic, journalistic background, this is done in a readable, accessible way. While it is very different from my own work, its stimulating discussion will prompt those whose interest it piques to explore the issue more widely.
Dana Thomas's Deluxe: How Luxury Lost its Lustre goes deep inside the workings of today's world of profit margins and market share to discover the real meaning of 'luxury'.
Fashion may be fabulous, but what's the true price of luxury? From the importance of fashion owners, to red carpet stars and the seasonal 'must-have' handbags, Dana Thomas shows how far illustrious houses have moved from their roots. Thomas witnesses how these 'luxury' handbags are no longer one in a million, discovers why luxury brand clothing doesn't last as long, and finds out just who is making your perfume.
Frank’s book is the work of well-known and respected economists who has the considerable ability to translate what could be dry technical analyses into engaging and approachable prose. This makes his discussion of luxury stand out so that those with no expertise can not only understand but enjoy this book. I found its commitment and seriousness thought-provoking and it is by far the best book on luxury from an ‘economic’ perspective. He uses the discipline’s tools to argue that though pursuing luxuries is rational from an individual perspective it is irrational from a wider societal perspective. He also puts his ‘money where his mouth is’ by advocating social/taxation policies to assuage the ‘fever’. My book features in his bibliography but his agenda is very different and (of course) none the worse for that.
The turn of the twenty-first century witnessed a spectacular rise in gross consumption. With the super-rich setting the pace, everyone spent furiously in a desperate attempt to keep up. As cars and houses grew larger and more expensive, the costs were enormous--not only monetarily but also socially. Consumers spent more time at work and less time with their family and friends; they saved less money and borrowed more. In this book, Robert Frank presents the first comprehensive and accessible account of these financial choices. Frank uses scientific evidence to demonstrate how these spending patterns have not made us happier or…
The authors’ aim is to differentiate their work from historical and analytical works like mine (though they include it among others as structuring their own framework). Instead they focus on ‘objects’ and how they reveal, across different cultures and time periods, social practices and aspirations. Hence, supplemented with many excellent illustrations, they discuss for example carpets, furniture, clocks, and textiles. This makes the book an attractive volume that will inform and delight, the reading – or even perusal – of which will (to echo its subtitle) be richly rewarding.
We live in a world obsessed by luxury. Long-distance airlines compete to offer first-class sleeping experiences and hotels recommend exclusive suites where you are never disturbed. Luxury is a rapidly changing global industry that makes the headlines daily in our newspapers and on the internet. More than ever, luxury is a pervasive presence in the cultural and economic life of the West - and increasingly too in the emerging super-economies of Asia and Latin America.
Yet luxury is hardly a new phenomenon. Today's obsession with luxury brands and services is just one of the many manifestations that luxury has assumed.…
The use of the word ‘luxury’ is attached to everything from pizze, to pens, to cars, to handbags and so on. This assumes both that the word is a selling point, something desired, and that this is innocent. My book starts from those assumptions. It seeks to pin down a seemingly elusive idea (what has a pizza in common with a designer handbag?) and it describes how its supposed innocence today is a far cry from its historical understanding and how that has changed. Beyond that I explore why some social goods are seen as ‘necessities’ (so they are not taxed) while others are judged ‘luxuries’ (and thus liable to taxation). Since the book is published by a university press then the argument while accessible is sophisticated.
So many books, so little time! If you're a nonfiction fan, this field guide may help you make better choices about what to read.
Just like a field guide helps you identify plants or birds, this book helps you navigate the rich world of nonfiction. You’ll uncover how your favorite authors break down complex topics, keep you hooked, and forge those deep, personal connections that make their work unforgettable.
Practice spotting techniques "in the wild" and track your responses in the Field Notes. Record your own preferences and favorites in the Field Observations. With this guide by your side, you'll…
Attention nonfiction book lovers, this guide is for you!
If your nightstand is stacked with histories or essays, how-to guides or science books, The Curious Reader’s Field Guide to Nonfiction is going to be your new favorite companion.
Just like a field guide helps you identify plants or birds, this book helps you navigate the rich world of nonfiction. You’ll uncover how your favorite authors break down complex topics, keep you hooked, and forge those deep, personal connections that make their work unforgettable.
More than just a guide—a reading companion
This isn’t just a book you flip through—it’s an interactive…
